About this item:
4.9 out of 5
98.46% of customers are satisfied
5.0 out of 5 stars Fantastic book not just for painters but for photographers
I really loved this book. It looks like a coffee table book in terms of beauty but it's full of useful information on composition and colour that is just as helpful for (amateur) photographers such as myself as it must be for budding painters. Mitchell Albala is an accessible writer too and so the whole thing makes sense. while being an easy read.This all isn't too surprising because painters are about over a thousand years ahead of photographers in terms of studying what works in landscapes. So I plan on absorbing all the knowledge and then running to my camera to click away productively to my heart's content.So I now have lots of ideas on how to improve my photos using linear perspective, variation and movement while not making a blunder when changing my colours around in Photoshop. What Mitchell Albala calls "limited focus and the picture window" the photographers amongst us would call "cropping". Best of all I now have lots of ideas on how to make bland skies interesting without resorted to massively increasing the contrast on the clouds - a Lightroom/Photoshop trick that isn't often convincing.I also thoroughly recommend Mitchell Albala's other book - Landscape Painting: Essential Concepts and Techniques for Plein Air and Studio Practice. (I bought it with some book tokens and so couldn't use Bolo or leave an Bolo review for it.) Landscape Painting is a bit more detailed but equally fantastic for photographers. I would give that five stars too.
5.0 out of 5 stars I wish I had this book as a student
I bought this for my students, but I am loving it myself. Beautiful rendered photographs of paintings alongside clear and simple but insightful explanations of deep and complex concept.The feel of the book is also nice as the soft cover has a soft lamination, size is about A4, good enough to appreciate the content in my opinion.Very up to date with contemporary concepts like Instagram square crops, which is mentioned when the author explains we have to give a reason for a certain crop.My favourite part was the chapter about -notan, as Mitchell explains is not so much a value study, but a study of shape and pattern which happens to use 2 values as tools.Definitely recommend, even for experienced painters and who wants to understand more about colour and design.I didn’t know Mitchell’s art before. That is also a fascinating journey through colour and light, with a tendency to Abstraction which I love , because it shows to students the possibilities of landscape painting.
4.0 out of 5 stars Excellent overall; minor quibbles in the section on Palette Strategies
I work mainly in watercolour and I have found this book very helpful on the subject of composition, especially on shape interpretation and NOTAN. Liberal NOTAN is a new concept to me and will definitely help me apply NOTAN successfully as a design aid, which I have previously struggled with.I haven't worked through the section on Colour Strategies but it looks like it will enhance my practice in this area.I was surprised however that a capable practioner and teacher like the author would categorise Ultramarine Blue as a cool blue and Phthalo, Cerulean, Manganese, and Teal as warm blues. This is repeated on pages 149, 158, 159, 160 and 161, so doesn't seem to be an editorial or proof reader introduced error. This doesn't seem to be a prevalent view among other artists.
5.0 out of 5 stars Fantastic book
Still working through it, but it is really interesting and useful.
5.0 out of 5 stars Invaluable for all landscape artists.
This took a long time coming on pre-order but the wait was more than worth it.The book itself is beautiful with many lovely examples that illustrate the teaching perfectly. Some have suggested that it would be more suited to intermediate or advanced painters. I would beg to differ and having now read the book completely feel that it would not only help form a solid foundational framework of ideas and concepts for beginners but would also be helpful to all landscape artists whether working in wet or dry media. Even much of the colour related teaching could be translated to other media such as pastels and coloured pencils. As the author indicates from the outset this book is intended to have a much broader focus than his first one on oil painting (which I haven't read).There were a lot of "aha" moments for me reading this book but I agree with the author that greatest progress will come through making the time and effort to complete the exercises (which are more enjoyable than onerous). I would also add that while some may not like the non- glossy pages for those who prefer to make notes and marks on the pages of their book, the paper used is perfect for that. I suppose it is a workbook after all.This will undoubtedly be a well thumbed reference book for years to come.
5.0 out of 5 stars great source of information.
There’s so much covered here and all the reference pictures are wonderful. Look forward to dipping into this book again.
5.0 out of 5 stars Interesting book
Bought as a present - recipient delighted!
5.0 out of 5 stars Informative intetesting book
Would recommend this book. Quality paper and printing. A must for any artist learning landscapes.
Livro de paisagem
Gostei, ótimo material e bom conteúdo.
Great!
I really like this book. Easy to read, lots of practical information, and exercises. I like this author. For landscape artists working in any medium.
Exercises! Quality examples!
I was raised by a skilled artist, but I was not taught painting as a kid. I've taken a couple classes at jr colleges, and I could do better than I do. I know it's lack of actually practicing that is to blame, but I want to work at it and need something that's not more of the same. Enter this book. The author is both a skilled artist and a skilled educator, a rare combo.After reading the first chapter (tonal values, massing) I saw the world differently and was practicing looking around me to see this in real life.Here's the rub: if you're looking for something to help you as an absolute beginner starting out totally from scratch, this book will challenge you because it isn't holding your hand on the most basic stuff. They're providing examples in various mediums and the very first exercise will ask you to do something much more interesting than shading a cube (a common beginner exercise).I hope others experience what I'm enjoying which is that this is a thoughtful, beautiful presentation with sophisticated examples that will challenge your brain to do things differently. Highly recommended for those with ambition and an adventurous attitude, but not a ton of experience. .... and if you've got more experience, use this for inspiration and some pretty great prompts. These exercises / examples as they build through the book could be skill refining prompts where you are reminded of stuff like notan, a bunch of color and palette strategies, movement, active negative space, and so on.
The best landscape painting book !!!!
The best Landscape Painting book I have read … is an excelent complement with the first One done by the author
Lots to learn
The book has exercises at the end of each chapter. These are very useful. The book is well written and easy to comprehend. Love the approach of teaching.
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