Canon EF-S 10-18mm f/4.5-5.6 IS STM Lens - Ultra-Wide-Angle Zoom Lens | Compact, Lightweight | Architecture, Landscape, Travel Photography | Canon EOS DSLR Compatible

Description:

About this item:

  • COMPATIBILITY - Compatible with all Canon EOS DSLR cameras with an APS-C sensor and Canon EOS M series mirrorless cameras using the EF-EOS M Mount Adapter.
  • ULTRA-WIDE - Get more in every shot with this compact and lightweight ultra-wide zoom lens.
  • SMOOTH, QUIET - Enjoy smooth, near-silent AF when shooting movies with the near-silent STM technology.
  • CLOSE FOCUSING - Get closer to your subjects with 0.22 m close focusing and the 10-18mm range gives you an ultra-wide perspective.
  • ANTI-FLARE TECHNOLOGY - Shoot more freely as you travel and prevent glare from the sun with Super Spectra lens coating.
  • IMAGE STABILIZER - Capture the moment first time, even in low light with Image Stabilizer technology.
  • With a compact, lightweight design that's ideal for travel, this ultra-wide-angle EF-S 10-18mm f/4.5-5.6 IS STM zoom lens shoots dramatic scenes and striking architecture. The 10-18mm range gives you an ultra-wide perspective, with exacting precision when shooting buildings and skies without the need to step back, allowing you to capture landscapes and fit more in the frame. Shoot movies or stills with stepping motor (STM) focusing and take high quality images in low light with Image Stabilizer technology to assist with camera-shake, even when hand-held.

    Box Contains

    EF-S 10-18mm f/4.5-5.6 IS STM
    Lens Cap E-67II
    Lens Dust Cap E
    Operation Manual
    Warranty Card
    Attention leaflet

    Review:

    5.0 out of 5

    100.00% of customers are satisfied

    5.0 out of 5 stars Brilliant ultra-wide lens at a very reasonable price

    W. · 3 August 2014

    This is a terrific lens at a price that's very reasonable for the level of performance you get. TL;DR version - buy it, it doesn't disappoint.If you're still reading, I've been wanting to try ultra-wide fields of view, but while i've been um'ing and ah'ing about the Canon 10-22mm for at least a year I couldn't really justify the cost for what will be a fairly infrequently used lens for me. When the 10-18mm appeared on Bolo UK at just under half the price of the 10-22mm it made the decision very easy. Although it's early days i've given it decent workouts in full daylight, sunrise/sunset, and inside buildings, and results are consistently excellent for the price - sharp, a little barrel distortion at 10mm but not bad (I quite like the effect it gives) and 12-18mm are very good. Great results with wide-angle HDR sunsets.As noted in another review it's fairly slow at f/4.5-5.6, but i've not found this a major issue - the IS seems effective when handheld, but I mostly shoot tripod-mounted anyway. With my 600D in low light I get better results from manual settings than auto/landscape which seems to go a bit underexposed, but that's a minor criticism of the camera rather than this lens. Focus is snap-to, quick and quiet, i've not encountered any issues there at all. The lens is plastic and very similar in construction to some of the kit lenses; as a result it doesn't really have the solid feel of Canon's more expensive lenses but is nevertheless well made, plus the construction makes it small and very light, which is a definite positive - makes it easy to stash away in the camera bag on a walkabout when you might well leave a heavier lens behind. Given that i'm unlikely to be in a situation where this is the only lens I'd want to have with me, overall i'd say the lightweight construction is a bonus rather than the negative that a few reviews elsewhere see it as.

    5.0 out of 5 stars Gem of a lens

    R.V. · 3 April 2016

    So having recently bought a 7d mk2 I suddenly had a need for a very wide angle lens, being used to full frame. This little EF-S lens is all plastic, made in Taiwan, comes with no hood or pouch and is not fast at f/4.5 - f/5.6. That said, it is very light, affordable has IS and STM. More importantly it takes very good quality images. I got mine for £179 from Bolo and at that price this lens is fantastic value.Of course is it not so great in low light, but for still life the IS helps a lot with that. The focus is near instant on this focal length and for video work on the 7d mk2 this is as easy as point and shoot, like a camcorder.16mm equivalent is very wide and takes dramatic looking pictures. Background blur is limited again mainly due to the focal length, so the aperture is not such a drawback from that point of view.The lens is so light and compact I often carry it in my jacket pocket in case I need it. Being inexpensive also makes doing that sort of thing less worrying.Images are sharp and of high quality. I own several L lenses and really you do have to be looking closely or in certain circumstances to really see a huge difference. For most people and most pictures, this lens is more than good enough quality. In good light the images are excellent.Yes it is plastic and it is not made in Japan. There are not many other options for canon 1.6x crop bodies though, and none really worth considering at this price. Overall this is a great little lens.

    5.0 out of 5 stars Better than my 10-22, at half the price!

    R.K. · 14 January 2015

    Having just taken delivery of my new Canon 10-18 lens, I have managed to fire off a few test shots to see how it performs in a range of situations. The camera used for this purpose was my Canon EOS 100D.Before I discuss that, though, let me say a few words about the lens itself.First impressions are that although the lens is made from plastic it feels very solid and appears to be extremely well constructed. Yes, it has a plastic mount, which might put some people off. Indeed, this being the first plastic-mounted lens I've ever owned I will confess to having had a few niggling doubts about this aspect of its construction when I was ordering it. But I need not have worried - the mount is solid, and in any case the lens is so light (compared to my Canon 10-22, for example, which is almost twice the weight of the 10-18) that it is simply not an issue. The lens mounts well to the camera body in one smooth twist, and there is no play whatsoever. Had the mount been metal, this would have added significantly to the price. The 10-18 simply does not need a metal mount.On the subject of 'play', in regard to the lens zooming and focusing rings, here again these are well damped and operate extremely smoothly, with no looseness or unwanted movement in any direction.Getting back to the test shots, these ranged from close-ups in artificial light (on a tripod, IS off) to shots of buildings 100 metres distant (hand-held, IS on). I used a variety of aperture settings (from f5.6 to f8) across the entire (albeit short) zoom range. I did not go smaller than f8 because most reviews I've read of the lens would suggest that anything smaller than f8 may lead to diffraction and a loss of sharpness. I always shoot Raw, so it gives me a good yardstick for comparison purposes, knowing that the images I see on my PC screen have not been altered in any way - they are straight out of the camera, with no in-camera processing applied.In every case the quality of the image is nothing short of stunning. Colours are lively, contrast is excellent, and most important - for me, at any rate - the sharpness of this lens has to be seen to be believed. The on-board image stabilisation performs impeccably. Knowledgeable on-line reviewers would have you accept that, like many wide-angle zooms, the sharpness of the 10-18 is only at its best in the centre, but I can honestly say that in my own case while centre sharpness is indeed superb I find it to be generally very good pretty much from edge to edge.As for the lens's 'sweet spot', I found this to be f6.3. The difference in sharpness between that and the next larger aperture - f5.6 - is admittedly marginal, but there is a perceptible improvement at f6.3. And remember: I'm talking about Raw images here, not something that's been post-processed.The other thing I would say about image quality is that - again, in contrast to what the on-line reviews would have you believe - there is no noticeable corner vignetting that I can observe. Light appears to be evenly balance across the image, as is certainly evident from a shot I took of the sky in which I can see no light fall-off or vignetting of any kind.Maybe I just managed to get myself a cracking example of the 10-18, but cracking it is, in every respect.Finally, I indicated that I also have a Canon 10-22 which I purchased about a year ago - a classic lens by any stretch of the imagination, but it's a beast to lug around, especially when it's hanging off a larger SLR body such as my 40D. I've been extremely happy with the 10-22, and thought I'd found the perfect lens for my needs (I shoot mainly landscapes, architecture and street stuff). Then, when I wasn't even looking for it (I actually had my eye on a Canon 24mm STM to use as a prime), along comes the 10-18, which has absolutely blown me away. OK, it's early days, and these are purely first impressions, but based on what I've learned about the lens thus far I can see that the 10-22 might be getting shifted on. Moreover, based on my limited testing thus far, the 10-18 appears to outperform the 10-22 in image quality, especially in the area of sharpness - at half the weight and half the price! If only the 10-18 had been around at the time I bought my 10-22, and I'd been able to compare the two on field test, there is no doubt in my mind which one I would have gone for. Don't get me wrong - the 10-22 is a great lens; it's just that the 10-18 does the job for me just as well, if not slightly better, for a lot less loot.Quite simply, the Canon 10-18 is worth £200+ of anybody's cash, and will give many lenses in its category a serious run for their money. Buy it: you won't be disappointed (in which connection I note that, as of 14 January 2015, it is now some £20 more expensive than when I ordered it a week ago - I guess it all depends from whom you get it. Interestingly, Bolo itself is temporarily out of stock, a telling fact on its own, and currently the lens is only available from a number of third-party sellers, at a range of different prices.)

    Imprescindível para fotos imobiliárias

    O.T. · 18 March 2024

    Ótimo campo de visão para fotos de interiores mantendo a qualidade e fidelidade. Sem igual para fotógrafos imobiliários que buscam um bom custo benefício.

    Just installed

    A.H. · 17 November 2023

    I have a base Rebel T7 and upgraded to this. Easy to install and very improved on the standard lens!

    A great lens

    A.C. · 7 February 2023

    This lens is fantastic. It's 16mm-29mm equiv on the crop sensor. High quality on all focal lengths.I use it for real estate photography and it's my go to lens. It would also be great for landscapes, and I use it for vlogs as well. The autofocus is quick, it's light and well made. Solid construction even with it being plastic which helps keep the weight down.A must have for any aps-c camera bag.

    Best quality

    A. · 10 August 2024

    Lens performance always good

    Geri dönüş.

    M. · 23 July 2024

    İnanılmaz bir platform,yanlış lens aldım,iade süreci iki gün içinde tamamlanıp ücret iadesi yapıldı , teşekkür ederim Bolo.Uygun olan lensi tekrardan sipariş ettim,sağlam ve güvenilir alışverişin yeri Bolo.😁

    Canon EF-S 10-18mm f/4.5-5.6 IS STM Lens - Ultra-Wide-Angle Zoom Lens | Compact, Lightweight | Architecture, Landscape, Travel Photography | Canon EOS DSLR Compatible

    4.8

    BHD169608

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    Product origin: United Kingdom

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